Bouquet holder, ball ornaments, mother of pearl handle
- Victorian (1837-1901)
- Gilded metal bouquet holder with mother of pearl handle. The funnel-shaped vase is comprised of mesh bands with small fleur-de-lis and large hemispheres around the upper portion. A short length of chain connects a floral pin to the side of the vase. The pin would be inserted through the vase to pierce the stems of a bouquet in order to secure the flowers inside the holder. The spindle handle is made from turned mother of pearl. Mother of pearl handles retained a cool feeling longer than some other materials; because of this, they were said to be appropriate for warmer months. A second length of chain connected to a ring is attached to loop around the tip of the handle. The ring would allow the bouquet holder to be worn from the finger or on a chatelaine at the waist to free the lady's hands while dancing.
- Label Text
- Flowers used for personal adornment were a popular, almost mandatory, fashion accessory in the nineteenth century. Small bouquets, called nosegays, posies, or tussie mussies were carried by debutantes, matrons, and girls, and they were a popular gift in the mid to late 1800s among friends and suitors. They were typically created in concentric rings of flowers, tightly wound together, and were often tied with ribbon or placed in a bouquet holder depending on the tastes and fashions. By the 1830s carrying small bouquets of flowers in decorative holders was an established fashion accessory of the upper class and royalty of Europe. These small accessories, also known as posy holders, ‘porte-bouquets’, and ‘bouquetiers’ were both decorative as well as useful. By providing a water source in the bottom of the receptacle, they were able to keep the flowers fresh throughout an occasion, and they also protected the wearer’s gloves or clothing from being stained by the plant pigments. Queen Victoria helped popularize the bouquet holder, and she is seen holding one in her portrait “Queen Victoria at the Drury Lane Theatre, November 1837” painted by E.T. Parris. When the fashion of carrying hand bouquets in decorative holders caught the fancy of the wealthy and middle class, holders were copied and mass produced in a variety of sizes, materials, and embellishments. During the second half of the nineteenth century, holders might be commissioned or purchased from the stock at a jeweler or florist shop. Few were made in the United States, instead they were usually imported from Europe and Asia. They were often given as a commemorative memento of historic encounters or events by the royalty and courts of Europe, but they were also used to celebrate and commemorate important, though less prestigious, events of the wealthy and middle class. Bouquet holders reached the peak of their popularity between the 1830s and 1880s, but it began to dwindle as bouquets of long-stemmed flowers (the latest horticultural development) loosely tied with ribbons surpassed the posy bouquet style. They were not totally out of fashion until the “Roaring Twenties,” when such objects became regarded as trivial and useless. The diversity of styles and mechanisms of bouquet holders is evidence of their longevity as a fashion accessory.
- bouquet holders
- mother of pearl
- Posy holders
- costume accessories
- decorative arts
- See more items in
- Horticultural Artifacts Collection
- Credit Line
- Smithsonian Gardens, Horticultural Artifacts Collection. Gift of Frances Jones Poetker.
- Data Source
- Smithsonian Gardens
- Accession number
- Bouquet holders
- Restrictions & Rights
- Gilded metal, mother of pearl
- 5 × 2 in. (12.7 × 5.1 cm)
- Gothic Revival
- Metadata Usage
- Record ID
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